From: *
Subject: contribution to OLGA
Date: Mon, 19 Jun 1995 15:25:25 +0200 (MET DST)


Hi there,

For the fans of the best singer/songwriter of our time: ;-)
the few songs he seems to play in normal tuning (mostly he uses DADGAD).

===========================

VERSE 1:
    D         D5       Dsus4   D/Db      G
The maid came into her room on wednesday morning,
D         D5     Dsus4  D/Db         G
  found a pistol        lying by her side.
D              D5   Dsus4     D/Db           G
  For thirteen years      she kept her fires burning,
D         D5       Dsus4 D/Db        G
  lost in pictures,      no place to hide.

CHORUS:
Am  Am     G       G       D...
    Jaqueline's gone to Pablo
Am  Am     G       G       D...   A...
    Jaqueline's gone to Pablo

VERSE 2:
Alone too long, the night became her lover.
She knew that he'd be wating all this time,
with dreams and magic pictures to uncover,
now that all earthly silence was behind.

CHORUS:
Jaqueline's gone to Pablo
Jaqueline's gone to Pablo

(violin solo)

VERSE 3:
People go to galleries in Europe
to wonder and to feel Picassos soul.

Am  Am     G       G       D...
    Jaqueline's gone to Pablo
Am  Am     G       G       D...
    Jaqueline's gone to Pablo
Am  Am     G       G       D...
    Jaqueline's gone to Pablo
Am  Am     G       G       D...   A...
    Jaqueline's gone to Pablo

(violin outro: G chord)


---------------------------
Just to show what we mean:
Play in 3/4

VERSE:
       D         D5        Dsus4     D/Db      G
e:----|2-------|--------|3-------|2-------|3-------|3-------|3-------|3--------|
B:----|3-------|3-------|3-------|2-------|0-------|0-------|0-------|0--------|
G:----|2-------|2-------|2-------|2-------|0-------|0-------|0-------|0--------|
D:----|0-------|0-------|0-------|0-------|0-------|0-------|0-------|0--------|
A:----|--------|--------|--------|--------|2-------|2-------|2-------|2--------|
E:----|--------|--------|--------|--------|3-------|3-------|3-------|3--------|
  The  maid came into her  room   on wednesday morning

etc.

CHORUS:

  Am                  G                  D                   Dsus4     D
e:0--------|0--------|3----------------|2--------|2--------|2h3------|3r2------|
B:1--------|1--------|0----------------|3--------|3--------|3--------|3--------|
G:2--------|2--------|0----------------|2--------|2--------|2--------|2--------|
D:2--------|2--------|0----------------|0--------|0--------|0--------|0--------|
A:0--------|0--------|2----------------|---------|---------|---------|---------|
E:---------|---------|3----------------|---------|---------|---------|---------|
            Jaque-    line's gone to Pa- blo

  Am                  G                  D                   Dsus4     D
e:0--------|0--------|3----------------|2--------|2--------|2h3------|3r2------|
B:1--------|1--------|0----------------|3--------|3--------|3--------|3--------|
G:2--------|2--------|0----------------|2--------|2--------|2--------|2--------|
D:2--------|2--------|0----------------|0--------|0--------|0--------|0--------|
A:0--------|0--------|2----------------|---------|---------|---------|---------|
E:---------|---------|3----------------|---------|---------|---------|---------|
            Jaque-    line's gone to Pa- blo

  A/C#      A6        A7
e:0--------|2--------|3--------|3--------|
B:2--------|2--------|2--------|2--------|
G:2--------|2--------|2--------|2--------|
D:2--------|2--------|2--------|2--------|
A:4--------|---------|---------|---------|
E:0--------|---------|---------|---------|

Only the last time, just before the violin outro, play A/C#, A6, A7, A6 instead.


During the violin solo, play:

  D         D/Db      A         A/C#      G
e:2--------|2--------|x--------|x--------|3--------|3--------|3--------|3------|
B:3--------|2--------|x--------|x--------|0--------|0--------|0--------|0------|
G:2--------|2--------|2--------|2--------|0--------|0--------|0--------|0------|
D:0--------|0--------|0--------|4--------|0--------|0--------|0--------|0------|
A:---------|---------|0--------|0--------|2--------|2--------|2--------|2------|
E:---------|---------|0--------|0--------|3--------|3--------|3--------|3------|


For questions or additions, mail either Dirk Paul (*) or
Ronald (*). Enjoy!

Dirk Paul Flach
Ronald Gelten